The ensemble is characterised by a charming, easily accessible performance style and expert dancing skills. They achieve a distinctive union between the local and the global. It is a delight and appeals to those who appreciate classical basics, because it radiates harmony and unity, appealing to our sense of beauty. There is an engaging sensuality to the company's performance that is uniquely theirs.

Kinga Varga: Új színekkel [With New Colours], tanckritika.hu
 

The Butterflies ballet is inherently about desire. Butterflies embody the poetry of life. Their vividly coloured wings and unpredictable flight dazzle the eye. They are born as caterpillars crawling on the ground and die as soaring creatures, metamorphosing and flitting freely in the air. They represent beauty, lightness, and an elusive desire that may never be fulfilled —much like happiness, which, like a butterfly, lands briefly on our hands before flying away. The butterflies are lured by the light into which they fly and burn. Meeting them is both blissful and painful. Life and death are present in their bouncing flight. Eternity and impermanence.

Attila Egerházi
 

MINUTE BY MINUTE:
IT IS FORBIDDEN TO STEP ON THE GRASS!
Libretto: Örkény István: Egypercesek (One Minute Stories), selection László L. Simon: Paprikakoszorú (Pepper-string)

Assistant Choreographer, Sound Editing: Cristina Porres Mormeneo
Literary Consultant: László L. Simon
Music:Katalin Karádi ("I Hate the Wildflower Meadow")
Costumes:Patrícia Pajor, Anett Herman
Audio participation: Zsolt Sarádi (actor at Vörösmarty Theatre)
Sound Recording: Tamás Kovács
Technical Manager: György Bajkó
 

István Örkény's One Minute Stories needs no special introduction. Örkény's surreal, often absurd world, wittily crafted with subtle irony, holds up a distorted mirror to the reader, and indeed to society as a whole. His insights, still relevant today, reveal the contradictions between ourselves and the world we have created.
This dance-theatre performance reflects the Örkényian vision. Under Attila Egerházi's choreography, the texts transform into music, and the dancers move to their rhythm.
In the play—interpreted by Zsolt Sarádi—alongside István Örkény's writings, László L. Simon's repetitive poem Paprikakoszorú (Pepper-string), inspired by Örkény's one-minute story The Meaning of Life, is also performed. In Attila Egerházi's choreography, the texts transform into music, to which the performers dance.

"QUOTATION MARKS"
Libret: László L. Simon

Choreographer’s assistant, sound mixing, special effects: Cristina Porres Mormeneo
Music: Kronos Quartet: Built you a mountain; Laurie Anderson and Kronos Quartet, Kimmo Pohjonen and Kronos Quartet: Emo Part 1
Costumes: Patrícia Pajor, Anett Herman
Voice (recording): Zsolt Sarádi (actor at the Vörösmarty Theatre)
Sound recording: Tamás Kovács
Media design: Miklós Falvay
Technical manager: György Bajkó

Attila Egerházi has choreographed a piece based on excerpts from an earlier book by the contemporary writer and poet László L. Simon, edited by the author. The choreography captures and makes visible the elusive, sometimes almost inexpressible thoughts and feelings expressed by the writer, while the coded message of the text is revealed in a way that can be scanned by the soul and comes to life as a dance rhythm. Just as in the case of the Örkény ballet, the choreography strongly emphasises the literary text, complemented by musical interludes.