A new funding opportunity may open up for the long-planned renovation, modernization, and expansion of the Hungarian Theatre of Cluj and the Hungarian Opera of Cluj. Minister of Culture András István Demeter and Gábor Tompa, director of the Hungarian Theatre of Cluj, provided an update on the current status of the project, the challenges encountered so far, and possible next steps for its implementation during an informational discussion held in the theater’s upstairs lobby.
The modernization and expansion of the theater and opera house were approved by a government decision in 2020, and the project was originally planned to be carried out through the National Investment Company (Compania Națională de Investiții – CNI). However, the project stalled during the public procurement process, and under current economic conditions, this financing route does not appear to offer a realistic possibility for implementing the project in the medium term.
András István Demeter, Minister of Culture, outlined a new potential financing structure during the discussion. Funds made available under Program LD 2215 (2024), titled “Cultural Foundations” (Temelii culturale), could create an opportunity for the Cluj-Napoca project to be included among the projects to be funded.
Under the program, approximately 60 million euros may currently be released from cultural projects that will not be implemented for objective reasons. According to the program’s rules, the released funds may be used to finance new projects.
According to the plans, in addition to the Hungarian Theatre of Cluj and the Hungarian Opera of Cluj, the investment project for the Târgu Mureș National Theatre may also be added to the financing list. This requires a government decision as well as further administrative consultations with the BDCE.
Gábor Tompa recalled the background of the renovation and expansion project at the meeting and emphasized that modernizing the building has long been an urgent task. The current infrastructure fails to meet the operational requirements of a modern European theater in many respects: among other things, there is no revolving stage, a stage-lowering system, or an electric rigging system; there is a lack of adequate rehearsal and work spaces; the lighting and stage technology require modernization; and the condition of the auditorium also justifies the intervention.
However, the planned project would not merely involve the renovation of the current building. The expansion would create new rehearsal, work, and service areas that would significantly improve the operating conditions for both the Hungarian Theatre of Cluj and Hungarian Opera of Cluj.
During the discussion, archaeologist and historic preservation expert Zsolt Csók also spoke about the technical aspects of the project. He emphasized that this is a particularly complex project due to the building’s status as a historic landmark and its unique structural features. The restoration of the prestressed concrete elements, the preservation of the building’s distinctive dome, and the installation of state-of-the-art stage technology all require specialized technical solutions.
Studies and technical documentation prepared earlier during the project’s preparatory phase can still be used: relevant legislation allows for their updating, so it is not necessary to completely restart the design process.
The socio-economic impact studies for the two theater projects in question have already been completed and forwarded to BDCE experts. The most important task for the coming period is to ensure that the institutions are added to the funding list. Only then can the exact costs of the projects and any additional funding that may be required be determined.
Discussions regarding financing options are currently underway. In the coming months, in addition to the necessary government decisions and administrative negotiations with the BDCE, the possibility of securing additional funds that become available will also be explored.