Artistic director: GÁBOR TOMPA
 
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Winter Funeral
Cries and Whispers
Design by Melinda Kádár
The Devils
Design by István Molnár, Photo: István Biró
Born for Never
Designed by: István Molnár
Danton's Death
Design by: Bianca Imelda Ieremias, Photo: István Biró
The Clean House
Designed by Tihamér Török
Maestro Csillala
Design by István Molnár, Photo: István Biró
Noises Off!
Design by Péter Szabó, Photo: István Biró
Richard III
Designed by: Péter Szabó, photo: István Biró
Three Sisters
Designed by István Molnár
A Tomb for
Boris Davidovich
Design by: István Molnár, photo: István Biró
Peer Gynt
Design by: István Molnár, photo: Mihaela Marin
The Hunting Party
Designed by: Szabó Péter
INTERFERENCES
Designed by: Helmut Stürmer, Foto: Biró István
Gianni Schicchi
Designed by: Bianca Imelda Jeremias, Foto: Biró István
Uncle Vanya
Designed by: István Molnár
Yaacobi and Leidental
Designed by: István Molnár
For No Good Reason
Poster Archives
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András Csíky autographing the book
written about him,
on November 9, 2009,
at the Festival of the
European Theatre Union
08-25-2010   
Happy 80th Birthday to András Csíky!

Today, August 25, András Csíky is 80 years old. As an actor, he is a recipient of the Jászai Mari and Szentgyörgyi István prizes, as well as being one of the most important and versatile figures of Hungarian-speaking theatre, and a honorary member of the Hungarian Theatre of Cluj.

“Uncle Bandi” was born in Odorheiu Secuiesc on August 25, 1930. In 1953 he graduated from the Theatre section of the Hungarian Arts Institute in Cluj. He was among the founding members of the Hungarian section of the Baia Mare State Theatre, before going on to be the director of the Satu Mare State Theatre, which later became the Northern Theatre of Satu Mare.

András Csíky joined the Cluj theatre in 1977, 33 years ago. He has collaborated with many generations of stage directors, including György Harag, Ferenc Kovács, Miklós Tompa, Gyula Cseresnyés, József Szabó, István Farkas, Sándor Szígyártó, Elemér Kincses, Árpád Árkosi, István Kövesdy, Tamás Major, István Mózes, Levente Kovács, Ottó Rappaport, János Vincze, János Taub, Gábor Dehel, Attila Keresztes, Dragoş Galgoţiu, Alexandru Dabija, Mona Chirilă, David Grant, Vlad Mugur and Gábor Tompa.

He has played more than 150 roles in plays such as classics by Shakespeare, Molière, Chekhov, Feydeau, Ibsen, Gorkij, Bulgakov, Mrozek, Gombrowicz, Pirandello, Camus, Stoppard, Beckett, and Ionesco as well as in many plays by Hungarian authors, including András Sütő, Sándor Huszár, Mihály Vörösmarty, József Katona, Mór Jókai, Ernő Szép, Imre Sarkadi, Sándor Bródy, János Székely, István Sigmond, and György Spiró.

In addition to the Erzsébet, Szentgyörgyi István and Jászai Mari prizes, András Csíky has been distinguished with the Order of Merit of the Hungarian Republic, the Chevalier's Cross, and the Cultural Merit of the Ministry of Culture and Cults of Romania, as well as lifetime awards from the Ministry of Cultural Patrimony of Hungary, the Romanian Theatre Union (UNITER) and the Kisvárda Festival of Hungarian Theatres Abroad (Hungary). In 2010 he received the Prize of the Hungarian Cultural Association from Transylvania.


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08-23-2010   
The Hungarian Theatre of Cluj begins a season rich in premières

As the 2010/2011 season begins, the company rehearses several productions simultaneously.

 

Today, August 23, at 11 pm, director Gábor Tompa inaugurated the 218th season of the Hungarian Theatre of Cluj. As the company reunited after the summer, Tompa greeted the employees of the theatre and thanked especially those who have been active since the beginning of August with the in situ documentation for the production Red Valley, a piece by Gianina Cărbunariu which will be presented in November.

Tompa went on to present the openings and the working schedule of the new season. At first, the rehearsals for three productions will be carried on simultaneously: Shakespeare's Measure for measure, directed by Matthias LanghoffLysistrata by Aristophanes, directed by Dominique Serrand; and Alcoholics written by András Visky, directed by Gábor Tompa.

In November and December, the plays Red Valley, written by Gianina Cărbunariu, Andrea Vălean and Radu Apostol and directed by Gianina Cărbunariu, and Leonce and Lena by Büchner, staged by Gábor Tompa will open. Then, between December 1-13, the second edition of the Interferences International Theatre Festival will be held, the theatre having apparently managed to obtain the necessary sponsorship. The detailed programme of the festival will be published during September.

Other premieres have been planned as well: a New Year's Eve cabaret, for which Gábor Tompa asked the members of the company to contribute their own ideas; Gogol's Diary of a Madman, directed by Tom DugdaleDundo Maroje by Marin Držić, directed by Robert RaponjaCaligula by Albert Camus, directed by Mihai Măniuţiu; Arthur Miller's Death of a Salesman, directed by Tom Dugdale; The Rectangular Round Forest by Ervin Lázár, directed by István Albu; Tiramisù: I Killed My Mother by András Visky, interpreted by Áron Dimény and Csilla Albert; The Maids by Jean Genet; directed by József Bíró; and Molière's The Miser, directed by Andrei Şerban


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06-18-2010   
Uncle Vanya - closing performance of the season

On Friday, June 18, at 7 pm, the Hungarian Theatre of Cluj will present its closing performance of the 2009/2010 season, Uncle Vanya by A.P. Chekhov. This production will bring an end to the 217th season of the theatre, and we wish to thank you on this occasion for your interest and your support.

Beginning in September, we'll be back with new premières and many other interesting performances!



06-11-2010   
Première of the performance Ruins True, directed by Gábor Tompa, at Sushi Centre for the Urban Arts

On June 11th, 8 pm at the Sushi Centre for the Urban Arts in San Diego, the opening will take place of the performance Ruins True, directed by Gábor Tompa. The show was inspired by the works of Samuel Beckett and is interpreted by Liam Clancy, Mary Reich, and Yolande Snaith; the latter also choreographed the performance.

Ruins True explores the limits of performing arts, of theatre, dance, poetry, and multimedia, as well as they possibilities they offer for mediation, by placing in the middle of the performance the decomposition of human relationships, the dignity of death and memory, represented as the ultimate “value”.

The original music was composed by Sharokh Yadegari. Set design: Ian Wallace. Costumes: Jaymee Ngerwigchit. Director's assistant: Tom Dugdale. Light design: Gábor Tompa.

The next performance will take place on June 12th at 9 pm.


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06-08-2010   
85 years since the birth and 25 years since the death of “magician director” György Harag, leading stage director of the Cluj theatre

He was born on June 4th, 1925 in Marghita and died on July 10th, 1985 in Târgu Mureş. György Harag was one of the most impressive directors in Transylvania, whose friendly, intimate and modern theatrical visions could excite audiences even today.

György Harag directed several performances in Cluj, including Victor Hugo's Ruy Blas, Baleset az új utcában (Accident on New Street) by Mária Földes, Ilyen nagy szerelem (Such a Great Love) by Pavel Kohut, A Kreml toronyórája (The Clock of the Kremlin) by Nikolai Pogodin, Tartuffe by Molière, A láthatatlan staféta (The Unseen Relay) by Paul Everac, Erős lelkek (Strong Souls) by Camil Petrescu, Demetrius by Tamás Deák, Tornyot választok (I Choose a Tower for Myself) by Géza Páskándi, Egy lócsiszár virágvasárnapja (The Palm Sunday of a Horse-Dealer) by András Sütő, A fekete macska (The Black Cat) by István Asztalos, Csillag a máglyán (A Star on the Pile) by András Sütő, Vágy a szilfák alatt (Desire Under the Elms) by Eugene O’Neill, Pathetica ’77 by Mihnea Gheorghiu, Káin és Ábel (Cain and Abel) by András Sütő, Öreg ház (The Old House) by László Csiki, Éjjeli menedékhely (The Lower Depths) by Maxim Gorki, Nem élhetek muzsikaszó nélkül (I Cannot Live Without Music) by Zsigmond Móricz, Szürke délután (Grey Afternoon) by Andor Bajor, Szuzai mennyegző (The Susa Weddings) by András Sütő, A mennybemenetel elmarad (The Ascension Has Been Cancelled) by Sándor Huszár, Az olasz szalmakalap (The Italian Straw Hat) by Eugène Labiche, A szerető (The Lover) by László Lőrinczi, Műtét (The Operation) by Sándor Tomcsa, and Csongor és Tünde (Csongor and Tünde) by Mihály Vörösmarty.

“For some reason, the theatre shapes my destiny. Sometimes I can’t even sleep. I wake up in the middle of the night, and I can’t sleep any more. I become anxious and this anxiety makes me think many, vision-like things. The silence and the solitude can inspire strange, awkward images, ideas. I feel that I’ve discovered a great vision, but the next day, when I tell it to the actors, the whole thing loses its charm. This is very interesting. The theatre is one big, live vision. But this vision can only exist through a hard, vigilant, tormenting work, from an intellectual point of view,”  said György Harag.


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